Showing posts with label singer. Show all posts
Showing posts with label singer. Show all posts

Tuesday, July 6, 2010

Santa Fe

Just sitting here in the library in Santa Fe, New Mexico using the internet.

It has been rather hot until today, which was beautiful, breezy, and mild. The altitude is a bit of an issue for me this time and I am taking it easy. So far I have been resting quite a bit, which of course, was the whole point.

I have been investigating art and having cocktails and will be increasing this activity over the days to come. Nothing like sitting on the porch at el Ferol and doing a little tourist watching! ;-)

They have been playing Early Music on period instruments on the sound system everyday that I have been here to the library. Very nice. Makes me wonder why they don't do that at the libraries at home.





Thursday, April 1, 2010

A Cool Peformance

I have had several totally awesome long term voice teachers over the years. I have had lessons with even more. There's one in particular that I want to plug in this moment:


In January, Anna Carol performed the last of her bi-annual birthday recitals. She is still performing, but she decided that the birthday recital idea had run its' course.

I just received word that Anna Carol will be performing next week. Even though this performance is in direct conflict with my own, I have to tell you about it. She will be performing as the "guest artist" in San Francisco City Chorus' performance of G.F. Handel's, "Semele". There will be another soprano performing the title role of Semele, but Anna Carol will be singing "Oh Sleep, Why Dost Thou Leave Me?".

Why?

Anna Carol sang it in the American premiere performance of "Semele" as a staged opera, in UC Berkeley's Hertz Hall in 1962.

This is what Anna Carol has to say about this exciting appearance:

- In 1962, Handel's opera, Semele, was given its premiere American performance here in Hertz Hall. After the original London performances more than 200 years earlier, Handel wrote a revised version, to be performed as an oratorio. That version had been performed in the U.S., but not the original opera version, until our performance.

I sang the role of Semele. If you want to see what I looked like, you can go to the upper foyer of Hertz Hall on the UC Berkeley campus, and face the wall which shows many pictures of faculty members (I was a graduate student's wife, not a faculty member). The first photo in the top line just to the right side of the organ shows a scene from the performance. Having been taken up to Heaven by Jove, I am high on a platform, singing "Endless, pleasure, endless love Semele enjoys above."

The San Francisco City Chorus is performing an oratorio version of Semele, next Friday, April 9, at 8 p.m. at the First Congregational Church of Berkeley, Dana and Durant. In recognition of my having sung the American opera premiere in Berkeley, I have been invited to perform a cameo role, singing "Oh sleep, why dost thou leave me." There will be a repeat performance Sunday afternoon in San Francisco, 3 p.m., Lakeside Presbyterian Church. -

This will surely prove to be a fabulous moment not to be missed!

For performance dates, times, locations, etc:



Sunday, January 17, 2010

Invited Back To Coro Ciconia

Well, it was a very busy concert season. My last post in November was the last time I really had an opportunity to devote any time to the blog endeavor. I couldn't believe that the performance season began so early for me this year. And that I was so terribly busy.

I have been invited back to sing with Coro Ciconia. It seems to be a good fit, thus far. My greatest appreciation for this group is their overt appreciation for having a real alto. Throughout my career, I have witnessed an enormous amount of dismissive attitude regarding altos and alto lines, in general. It has only been in rare circumstances that groups acknowledge the importance of this line and the importance of having a real alto singing it. The real kicker is that most of the time when acknowledgment is given, the alto line and singing voice is only given any real recognition when a man is is singing it.

Coro Ciconia's next concert is on Sunday April 11th; a mere 12 weeks away. I have already received 10 of the pieces. I think there will be about 16 of them. We will be singing Ciconia, of course, along with Jocopo, Landini, Firenze, and other 14th century Tuscan composers.

We will reprise the concert set a couple of times, in addition to a completely different concert program, for the Berkeley Early Music Festival in June. I am really looking forward to this experience.




Friday, November 6, 2009

Resting Up

Aside from my 2 church jobs, I have no additional performances for the remainder of this month. And although I really enjoy performing, I am a bit relieved at the light schedule. December and its' busy schedule will be here soon enough.

I am enjoying a much needed respite this week after a very busy performing period. I have gotten a lot of rest and I have successfully focused on relaxation.

As a singer, I will be quite busy during the holiday season. I need this rest to fortify myself for incredible schedule ahead.

UPDATE - The "light schedule" disappeared almost immediately after this post. Replaced by "way too much to do".